In a seminal essay, Lila Abu-Lughod addresses “The Romance of Resistance,” suggesting that widespread scholarly interest in unlikely and quotidian forms of resistance is romanticizing. Rather than identifying resistance as proof of the ineffectiveness of systems of power, she contends that scholars might more productively consider how resistance is embedded in, and can serve as a diagnostic of, power. Writing in a Foucauldian vein, she reminds “where there is resistance, there is power.” If Abu-Lughod cautions against romanticizing resistance, in this response I take up a similarly critical stance toward disruption. Following Abu-Lughod's formula and drawing on my own experience as an ethnographer of music and sound in Turkish modernity, I suggest that where there is disruption, there is order, and that disruption might therefore become a site for diagnosis of order.