Published June 2026 | Version v1
Thesis Restricted

Rethinking Escapism: Narrative Distance, Semantic Proximity, and Film Market Performance

Creators

  • 1. University of Chicago

Contributors

Committee member:

Description

Do macroeconomic conditions shape the market performance of distinct narrative features? Existing accounts often evaluate cultural consumption along a single continuum from realism to escapism. This paper proposes that narrative content operates through multiple, quantifiable dimensions: structural displacement from ordinary settings and semantic distance from contemporaneous public discourse. Using a film-country panel covering 11,558 films across 92 country markets from 2000 to 2024, the analysis combines international box office outcomes with text-based measures derived from plot summaries and a large-scale news corpus. Linear mixed-effects estimates show that structurally distant narratives carry a positive average market premium, and that this premium is compressed during stronger-growth periods. Regime estimates indicate that the premium is similar in low- and middle-growth environments and smaller in high-growth environments. This macroeconomic sensitivity is concentrated most clearly in temporal forms of narrative distance. Semantic distance exhibits the opposite pattern: conditional on narrative distance, films farther from public discourse perform worse, and this penalty is smaller in stronger-growth environments. These opposing gradients indicate that weaker economic conditions are not associated with a general premium for detachment from reality; films perform relatively better outside strong-growth environments when they combine structural distance from ordinary settings with thematic proximity to public concerns. By moving beyond a binary conceptualization of realism versus escape, the paper provides a multidimensional framework for analyzing how economic conditions are associated with the relative market performance of cultural narratives across countries. These findings are difficult to reconcile with purely avoidance-oriented accounts of cultural consumption under stress, suggesting instead that mediated engagement with the present is associated with stronger relative performance than full withdrawal from it.

Files

Restricted

The record is publicly accessible, but files are restricted to users with access.

Additional details

Identifiers

Other
oai:uchicago.tind.io:17191

UChicago Information

Division(s)
Social Sciences Division
Department(s)
Computational Social Sciences (MACSS)