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1.
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This dissertation analyzes how media make sense of heat. Typically, temperature is either treated as an entirely natural phenomenon or an inescapably subjective one. Inst [...]
2024-08 |
Cinema and Media Studies |
Dissertation |
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2.
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Chinese state-endorsed films have transformed in the past decade. These films make up the “new mainstream”, a genre defined by its ability to match strides with Holly [...]
13 December 2023 |
Cinema and Media Studies; East Asian Languages and Civilizations |
Article |
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3.
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My dissertation titled “Sitaron Ka Tarana: Acts of Expression in the Bombay Film Song” is on the convergence of film and poetry in the song sequences of Bombay cinema [...]
2023-08 |
Cinema and Media Studies |
Dissertation |
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4.
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This dissertations interrogates how the concept of ubiquity has dominated understandings of surveillance technologies within contemporary American society and in its tran [...]
2023-08 |
Cinema and Media Studies |
Dissertation |
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5.
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This dissertation examines the role of the screen encounter in non-fiction films. “Screen encounter” is the term I use to name the phenomenon of seeing oneself onscre [...]
2023-08 |
Cinema and Media Studies |
Dissertation |
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6.
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This dissertation is about how video games incorporate cinematic style and use cinema’s aesthetic toolkit. The ways that games affectively impact players are often dete [...]
2023-08 |
Cinema and Media Studies |
Dissertation |
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7.
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My dissertation argues that the work of John Frankenheimer (1930-2002) provides a series of lenses for looking differently at several crucial turning points in media hist [...]
2023-08 |
Cinema and Media Studies |
Dissertation |
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8.
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A Cinema of Free Association: Counter-Institutional Film Cultures of the Hispanic Caribbean, 1952-1968,” re-routes the global film cultures and currents of the midcentu [...]
2023-08 |
Cinema and Media Studies |
Dissertation |
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9.
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No abstract
2022 |
Cinema and Media Studies; Humanities; Social Sciences |
Article |
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10.
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If the democratic ideal embraces "giving voice," the institution of domestic service—in these films—renders that ideal unstable. Thus, to "give voice&q [...]
2020 |
Cinema and Media Studies; Humanities |
Article |
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11.
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No abstract
2016 |
Anthropology; Cinema and Media Studies; Committee on International Relations (CIR); Comparative Human Development; Southern Asian Studies; Social Sciences |
Book Chapter |
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12.
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This dissertation offers a re-examination and reassessment of the French silent film movement that is commonly referred to as “French Impressionism” through a context [...]
2022-08 |
Cinema and Media Studies |
Dissertation |
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13.
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This dissertation explores how technological innovations influenced music and visual culture over four decades, from 1960s transistor radios to 1990s Auto-Tune. Portable [...]
2022-06 |
Cinema and Media Studies |
Dissertation |
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14.
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This dissertation investigates the aesthetic and material problems that the air of industrial modernity posed for photographers, filmmakers, and critics active in Wilhelm [...]
2021-08 |
Cinema and Media Studies; Art History; Art History Dissertations |
Dissertation |
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15.
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This dissertation explores the role of performance, gesture, and the body in post-’68 French film in order to examine the intersections of cinematic form, politics, and [...]
2021-08 |
Cinema and Media Studies |
Dissertation |
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16.
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This dissertation argues for the importance of realist aesthetics to the theory and practice of experimental cinema. While experimental cinema has traditionally been conc [...]
2021-08 |
Cinema and Media Studies |
Dissertation |
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17.
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This dissertation argues that media practices and communicative technologies in modern hygienic education—and the media objects they are used to create—are assessed f [...]
2020-08 |
Cinema and Media Studies |
Dissertation |
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18.
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This dissertation explores the role of the detail in film theory and criticism. I challenge the ways in which film theory usually understands the privileged sites of mean [...]
2020-08 |
Cinema and Media Studies |
Dissertation |
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19.
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This dissertation uses the notion of intermediality as a lens through which to re-envision the history of Chinese animation from the 1920s to the present, investigating h [...]
2020-08 |
Cinema and Media Studies; East Asian Languages and Civilizations |
Dissertation |
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20.
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This dissertation is about the magic lantern and how it conveys meaning in a shifting media landscape. It focuses on the form, language, and style of lantern images and p [...]
2020-08 |
Cinema and Media Studies |
Dissertation |
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21.
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This dissertation examines the audiovisual aesthetics of contemporary East Asian art cinemas, with films by Kore-eda Hirokazu, Hou Hsiao-hsien, Wong Kar-wai, and Kawase N [...]
2020-06 |
Cinema and Media Studies; East Asian Languages and Civilizations |
Dissertation |
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22.
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Chapbook published in the Migration Stories Chapbook Series. A creative inquiry into the trade in animals from far-flung places in the early modern period. Centrally, a [...]
06 November 2019 |
Cinema and Media Studies; Migration Stories Chapbook Series |
Book |
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23.
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This dissertation studies the representation of the ancient (gu) in Shanghai cinema up to 1941 when Shanghai fell under total Japanese occupation. I trace the development [...]
2019-06 |
Cinema and Media Studies; East Asian Languages and Civilizations |
Dissertation |
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24.
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This dissertation looks at the films of director Suzuki Seijun in relation to trends in Japanese film theory in the 1960s. It places his work between two factions that cl [...]
2019-06 |
Cinema and Media Studies; East Asian Languages and Civilizations |
Dissertation |
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25.
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This dissertation takes an unusual path to trace the visions of postwar Japanese cinema: a popular film form known as jidaigeki. Set prior to Japan’s Meiji Restoration [...]
2016-08 |
Cinema and Media Studies; East Asian Languages and Civilizations |
Dissertation |
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